[\/et_pb_text][et_pb_image src=”https:\/\/arteologic.com\/wp-content\/uploads\/2022\/07\/Cuenco-con-engobe-de-Dureza-de-Cuero-Ceramica.jpeg” title_text=”Ceramic Leather Hardness Engobe Bowl” align=”center” _builder_version=”4.18.0″ _module_preset=”3d4ce3b5-0616-4fbc-9f2d-15406b2ec27a” width=”75%” width_phone=”90%” custom_margin=”90px||||false|false” custom_margin_tablet=”70px||||false|false” custom_margin_phone=”60px||||false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.18.0″ _module_preset=”b86dacb5-f1df-47c9-ba37-20d791831ff1″ custom_margin=”20px||||false|false” global_colors_info=”{}”]<\/p>\n
Bowl in black earthenware with engobes, of Dureza Cuero Cer\u00e1mica<\/strong><\/p>\n [\/et_pb_text][et_pb_toggle title=”DROP-DOWN INDEX:” open_toggle_text_color=”#054ada” closed_toggle_text_color=”#000000″ icon_color=”#000000″ use_icon_font_size=”on” icon_font_size=”24px” open_icon_color=”#000000″ open_use_icon_font_size=”on” open_icon_font_size=”24px” _builder_version=”4.19.1″ _module_preset=”default” title_text_color=”#000000″ title_font=”Oswald||||on||||” title_font_size=”25px” closed_title_font_size=”25px” body_font=”Oswald||||||||” body_line_height=”1em” custom_margin=”99px||||false|false” title_font_size_tablet=”22px” title_font_size_phone=”” title_font_size_last_edited=”on|desktop” closed_title_font_size_tablet=”22px” closed_title_font_size_phone=”” closed_title_font_size_last_edited=”on|phone” box_shadow_style=”preset2″ global_colors_info=”{}”]<\/p>\n ENGOBE IN\u00a0 CERAMICS<\/a><\/p>\n The difference between engobe and barbotina:<\/a><\/p>\n Difference between engobe and glaze:<\/a><\/p>\n What is an engobe:<\/a><\/p>\n ORIGIN AND APPLICATIONS<\/a><\/p>\n DECORATION WITH ENGOBES<\/a><\/p>\n HOW TO\u00a0 MAKE\u00a0 ENGOBE: FORMULAS<\/a><\/p>\n PAINTING WITH ENGOBES<\/a><\/p>\n [\/et_pb_toggle][et_pb_text module_id=”quesonlosengobesceramicos” _builder_version=”4.19.1″ _module_preset=”a2f533e2-9ee7-4615-bd4f-9d4f36476524″ header_2_text_align=”center” custom_padding=”100px||||false|false” custom_padding_tablet=”70px||||false|false” custom_padding_phone=”70px||||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n <\/p>\n The ceramic engobe is the solution of earthy materials in water, basically speaking, it would be a mixture of clay and water. It is also known in pottery as engalba<\/strong>. In this sense it could be considered similar to barbotina, however, they are often not the same in terms of composition, so they must be differentiated from each other; furthermore, a definition of engobe simply as mud and water does not explain its meaning well.<\/p>\n [\/et_pb_text][et_pb_text module_id=”ladiferenciaentreengobeybarbotina” _builder_version=”4.19.1″ _module_preset=”a2f533e2-9ee7-4615-bd4f-9d4f36476524″ custom_padding=”100px||||false|false” custom_padding_tablet=”70px||||false|false” custom_padding_phone=”70px||||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n <\/p>\n Deflocculant<\/em> materials are used in the engobes. This “word” that you will find many times in the definitions of engobe on the Internet and that many pages do not explain, refers to those materials that prevent the agglomeration of the particles<\/strong> that are in suspension in a liquid.<\/p>\n This is especially important when the particles are very fine. In this way we achieve a mixture with less viscosity and that, in addition, admits a greater quantity of them.<\/p>\n Another difference with slip is that the engobe can be produced with less clay, and it usually contains fluxing elements. Fluxes are chemical products that lower the melting point of other materials, i.e. they melt faster<\/strong>. Fluxes also aid in the process of making the clay liquid.<\/p>\n Another element contained in most compositions is silica, which will “vitrify” the mixture. The different vitreous elements contained in the engobe that contribute to modify its properties, such as the color of each preparation, are often referred to as ceramic “frits”<\/strong>.<\/p>\n [\/et_pb_text][et_pb_text module_id=”diferenciaentreengobeyesmalte” _builder_version=”4.18.0″ _module_preset=”a2f533e2-9ee7-4615-bd4f-9d4f36476524″ custom_padding=”100px||||false|false” custom_padding_tablet=”70px||||false|false” custom_padding_phone=”70px||||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n <\/p>\n It is due to the proportion of material that gives the engobe the ability to vitrify<\/strong>The latter does not become as large as in the case of enamels, since the latter produce a real vitreous layer when fired, which gives it a vitreous finish. much brighter<\/strong> than with engobing.<\/p>\n Summarizing all these technical characteristics, it could be said that the engobe has properties that place it between slip and glaze<\/strong>, being closer to one extreme or the other depending on its composition. The interesting thing about being “in between” the two makes it suitable to be applied as a primer<\/strong>, since it would serve to unite both materials: the clay and a glaze that we are going to apply on top.<\/p>\n [\/et_pb_text][et_pb_text module_id=”resumiendoqueesunengobe” _builder_version=”4.19.1″ _module_preset=”a2f533e2-9ee7-4615-bd4f-9d4f36476524″ custom_margin=”||21px|||” custom_padding=”100px||||false|false” custom_padding_tablet=”70px||||false|false” custom_padding_phone=”70px||||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n <\/p>\n The definition of engobe is the mixture of clay and water that also contains deflocculants and fluxes, which place it between slip and glaze in terms of its properties, which may vary (including color), depending on its composition.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/arteologic.com\/wp-content\/uploads\/2022\/07\/Bacha-jabonera-y-vaso-ceramicos-con-engobe-de-Clara-Olmos.jpeg” alt=”Ceramic soap dish and tumbler with engobe by Clara Olmos” title_text=”Ceramic soap dish and tumbler with engobe by Clara Olmos” _builder_version=”4.18.0″ _module_preset=”3d4ce3b5-0616-4fbc-9f2d-15406b2ec27a” width=”60%” width_phone=”90%” custom_margin=”90px||||false|false” custom_margin_tablet=”70px||||false|false” custom_margin_phone=”60px||||false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.18.0″ _module_preset=”b86dacb5-f1df-47c9-ba37-20d791831ff1″ text_line_height=”1.1em” custom_margin=”20px||||false|false” global_colors_info=”{}”]<\/p>\n Ceramic sink, soap dish and tumbler, in two colors and fretwork, painted with engobe and glazed. Work by Clara Olmos of Cer\u00e1mica Matices<\/strong>.<\/em><\/p>\n [\/et_pb_text][et_pb_text module_id=”origenyaplicaciones” _builder_version=”4.19.1″ _module_preset=”a2f533e2-9ee7-4615-bd4f-9d4f36476524″ header_2_text_align=”center” custom_padding=”100px||||false|false” custom_padding_tablet=”70px||||false|false” custom_padding_phone=”70px||||false|false” custom_padding_last_edited=”on|phone” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n <\/p>\n The engobe, understood simply as the mixture of clay and water, is as old as ceramics<\/a> itself. In ancient Greece it was already used by applying it before firing the piece, in the Roman Empire it is still used to give different shades of color to the works, then in different locations and times it has been used according to each pottery tradition to create different finishes and colors, using different layers and using decorative techniques such as incision or sgraffito.<\/p>\n With industrialization and the subsequent use of more and more specific mixtures, we have reached our days where there is a great variety of commercial brands with an infinite offer according to their colors and their capacity to glaze to a greater or lesser extent.<\/p>\n As for the ways of applying it (or “engalba”, as we mentioned before in pottery), they can be infinite according to the creativity of the artist, below we detail some decorative methods.<\/p>\n The engobe can be applied on the piece in various states of humidity: raw unfired or in leather state, which for some more precise decorations or drawings that we do not want to be blurred, can be the best.<\/p>\n After applying the engobe, it is left to dry a little and burnished.<\/p>\n If we are going to apply a transparent glaze over the engobe later, another possibility is to apply the engobe, fire the piece, apply the glaze and fire it again.<\/p>\n <\/p>\n [\/et_pb_text][et_pb_text module_id=”decoracionconengobes” _builder_version=”4.18.0″ _module_preset=”a2f533e2-9ee7-4615-bd4f-9d4f36476524″ header_2_text_align=”center” custom_padding=”100px||||false|false” custom_padding_tablet=”70px||||false|false” custom_padding_phone=”70px||||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n <\/p>\n We are going to mention the main techniques used, maybe some of them will give you ideas to try.<\/p>\n We can submerge the piece by covering it completely, which would be immersion<\/strong>, or we can cover only a part of it by introducing it into the engobe and then turn it upside down so that the liquid drains down and creates a nice dripping<\/strong> effect.<\/p>\n Coat completely with a broad brush or apply with a sponge<\/strong>, sometimes without pressing completely and covering only parts of the surface.<\/p>\n Using it for fine lines or drawings<\/strong>, using for example a fine brush.<\/p>\n Spraying it<\/strong> on the surface (we can cover certain areas so that it does not reach them and thus create decorative areas of contrast, this technique of covering parts of the surface is called masking<\/strong>).<\/p>\n Applying at the same time two tones of engobe that will generate a marbled<\/strong> effect by the mixture of both.<\/p>\n It is also possible to apply some layers on top of others<\/strong> by combining different techniques of the previous ones.<\/p>\n On a piece with a layer of engobe, already in a leather-hard state, areas of the surface can be scraped to expose them, creating a decorative pattern, using sgraffito<\/strong>. Afterwards, another layer can be applied on top of it.<\/p>\n Ceramic decoration with engobes is not only limited to the different tones, but can also be used for use the volume<\/strong> of some surfaces compared to others, applying more layers, using a vitrifiable engobe next to another one that is hardly vitrifiable, and adding elements that give it a certain texture<\/strong> to the part such as dry sand, iron filings, etc.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/arteologic.com\/wp-content\/uploads\/2022\/07\/Engobes-en-capas-raspadas-de-Dureza-Cuero-Ceramica.jpeg” alt=”Ceramic soap dish and tumbler with engobe by Clara Olmos” title_text=”Engobes in shaved layers of Hardness Leather Ceramics” _builder_version=”4.18.0″ _module_preset=”3d4ce3b5-0616-4fbc-9f2d-15406b2ec27a” width=”60%” width_phone=”90%” custom_margin=”90px||||false|false” custom_margin_tablet=”70px||||false|false” custom_margin_phone=”60px||||false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.19.1″ _module_preset=”b86dacb5-f1df-47c9-ba37-20d791831ff1″ custom_margin=”20px||||false|false” global_colors_info=”{}”]<\/p>\n Engobes in shaved layers made by “Dureza de Cuero Ceramics”<\/strong><\/p>\n [\/et_pb_text][et_pb_divider _builder_version=”4.17.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.19.1″ _module_preset=”a2f533e2-9ee7-4615-bd4f-9d4f36476524″ global_colors_info=”{}”]<\/p>\n We include here a video about laying a foundation for layered surfaces with ceramic engobes<\/p>\n [\/et_pb_text][et_pb_video src=”https:\/\/youtu.be\/7tQU2bN0hGU” image_src=”\/\/i.ytimg.com\/vi\/7tQU2bN0hGU\/hqdefault.jpg” play_icon_color=”#FFFFFF” thumbnail_overlay_color=”rgba(0,59,92,0.23)” _builder_version=”4.19.1″ _module_preset=”default” width=”80%” width_tablet=”90%” width_phone=”100%” width_last_edited=”on|phone” module_alignment=”center” custom_margin=”50px||||false|false” custom_margin_tablet=”100px||||false|false” custom_margin_phone=”70px||||false|false” custom_margin_last_edited=”off|desktop” border_radii=”on|7px|7px|7px|7px” border_width_all=”6px” border_color_all=”#FFFFFF” box_shadow_style=”preset2″ box_shadow_color=”rgba(0,0,0,0.29)” global_colors_info=”{}”][\/et_pb_video][et_pb_text module_id=”formulasdeelaboracion” _builder_version=”4.19.1″ _module_preset=”a2f533e2-9ee7-4615-bd4f-9d4f36476524″ header_2_text_align=”center” custom_padding=”100px||||false|false” custom_padding_tablet=”70px||||false|false” custom_padding_phone=”70px||||false|false” custom_padding_last_edited=”on|phone” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n <\/p>\n A composition to make our own engobe can be, in general terms, the following:<\/p>\n On it we will apply the colorants (natural oxides or other pigments) that we need to achieve the color that we are going to use.<\/p>\n A very important feature is to mortar all dry elements.<\/p>\n The ideal before preparing an engobe mixture is to have a clear idea of what we want to achieve (color, viscosity, vitrification, etc.) and then get down to work with the right proportions of materials. What if we don’t and want to experiment? Sometimes the magic of ceramics can give us beautiful “accidents”. It is up to each individual.<\/p>\n If you want to have a place to consult about all the materials for ceramics<\/a>, their compositions, classifications, “recipes”, etc. there is a very useful page here<\/a>.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/arteologic.com\/wp-content\/uploads\/2022\/07\/Preparando-engobe-Grace-Lanari-Ceramics.jpeg” title_text=”Preparing engobe Grace Lanari Ceramics” _builder_version=”4.18.0″ _module_preset=”3d4ce3b5-0616-4fbc-9f2d-15406b2ec27a” width=”60%” custom_margin=”90px||||false|false” custom_margin_tablet=”70px||||false|false” custom_margin_phone=”60px||||false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.18.0″ _module_preset=”b86dacb5-f1df-47c9-ba37-20d791831ff1″ custom_margin=”20px||||false|false” global_colors_info=”{}”]<\/p>\n Image of Grace Larani, preparing engobe.<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.17.4″ _module_preset=”715281d4-70b7-4407-8566-91963df8c3b5″ text_font_size=”20px” custom_padding=”80px||||false|false” custom_padding_tablet=”50px||||false|false” custom_padding_phone=”50px||||false|false” custom_padding_last_edited=”on|desktop” text_font_size_tablet=”18px” text_font_size_phone=”18px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Examples:<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.18.0″ _module_preset=”a2f533e2-9ee7-4615-bd4f-9d4f36476524″ global_colors_info=”{}”]<\/p>\n Here are some engobe formulas to give you an idea. The exact resulting color it will give is difficult to predict, there are always variations, for example, the different ball clays that can be purchased vary in shade.<\/p>\n In addition, it is best to consult the pigment tables of the specific manufacturer from whom you are going to buy the materials.<\/p>\n [\/et_pb_text][et_pb_toggle title=”Black engobe” open_toggle_text_color=”#000000″ closed_toggle_text_color=”#000000″ icon_color=”#000000″ toggle_icon=”||fa||400″ use_icon_font_size=”on” icon_font_size=”24px” open_icon_color=”#000000″ open_toggle_icon=”||fa||400″ open_use_icon_font_size=”on” open_icon_font_size=”24px” _builder_version=”4.18.0″ _module_preset=”default” title_text_color=”#000000″ title_level=”h4″ title_font=”Merriweather Sans||||||||” title_font_size=”19px” closed_title_font_size=”20px” body_font=”|300|||||||” body_line_height=”1em” background_color=”RGBA(255,255,255,0)” custom_margin=”50px||||false|false” title_font_size_tablet=”18px” title_font_size_phone=”18px” title_font_size_last_edited=”on|desktop” closed_title_font_size_tablet=”18px” closed_title_font_size_phone=”18px” closed_title_font_size_last_edited=”on|desktop” border_radii=”on|5px|5px|5px|5px” border_color_all=”#EC8118″ box_shadow_style=”preset3″ box_shadow_color=”rgba(0,0,0,0.1)” global_colors_info=”{}”]<\/p>\n UBL-45 Black<\/p>\n <\/p>\n [\/et_pb_toggle][et_pb_toggle title=”White engobe” open_toggle_text_color=”#000000″ closed_toggle_text_color=”#000000″ icon_color=”#000000″ toggle_icon=”||fa||400″ use_icon_font_size=”on” icon_font_size=”24px” open_icon_color=”#000000″ open_toggle_icon=”||fa||400″ open_use_icon_font_size=”on” open_icon_font_size=”24px” _builder_version=”4.18.0″ _module_preset=”default” title_text_color=”#000000″ title_level=”h4″ title_font=”Merriweather Sans||||||||” title_font_size=”19px” closed_title_font_size=”20px” body_font=”|300|||||||” body_line_height=”1em” background_color=”RGBA(255,255,255,0)” custom_margin=”50px||||false|false” title_font_size_tablet=”18px” title_font_size_phone=”18px” title_font_size_last_edited=”on|desktop” closed_title_font_size_tablet=”18px” closed_title_font_size_phone=”18px” closed_title_font_size_last_edited=”on|desktop” border_radii=”on|5px|5px|5px|5px” border_color_all=”#EC8118″ box_shadow_style=”preset3″ box_shadow_color=”rgba(0,0,0,0.1)” global_colors_info=”{}”]<\/p>\n UBL-41 White<\/p>\n <\/p>\n [\/et_pb_toggle][et_pb_toggle title=”Red engobe” open_toggle_text_color=”#000000″ closed_toggle_text_color=”#000000″ icon_color=”#000000″ toggle_icon=”||fa||400″ use_icon_font_size=”on” icon_font_size=”24px” open_icon_color=”#000000″ open_toggle_icon=”||fa||400″ open_use_icon_font_size=”on” open_icon_font_size=”24px” _builder_version=”4.17.4″ _module_preset=”default” title_text_color=”#000000″ title_level=”h4″ title_font=”Merriweather Sans||||||||” title_font_size=”19px” closed_title_font_size=”20px” body_font=”|300|||||||” body_line_height=”1em” background_color=”RGBA(255,255,255,0)” custom_margin=”50px||||false|false” title_font_size_tablet=”18px” title_font_size_phone=”18px” title_font_size_last_edited=”on|desktop” closed_title_font_size_tablet=”18px” closed_title_font_size_phone=”18px” closed_title_font_size_last_edited=”on|desktop” border_radii=”on|5px|5px|5px|5px” border_color_all=”#EC8118″ box_shadow_style=”preset3″ box_shadow_color=”rgba(0,0,0,0.1)” global_colors_info=”{}”]<\/p>\n UW-1 Red Point<\/p>\n <\/p>\n [\/et_pb_toggle][et_pb_toggle title=”Crimson” open_toggle_text_color=”#000000″ closed_toggle_text_color=”#000000″ icon_color=”#000000″ toggle_icon=”||fa||400″ use_icon_font_size=”on” icon_font_size=”24px” open_icon_color=”#000000″ open_toggle_icon=”||fa||400″ open_use_icon_font_size=”on” open_icon_font_size=”24px” _builder_version=”4.17.4″ _module_preset=”default” title_text_color=”#000000″ title_level=”h4″ title_font=”Merriweather Sans||||||||” title_font_size=”19px” closed_title_font_size=”20px” body_font=”|300|||||||” body_line_height=”1em” background_color=”RGBA(255,255,255,0)” custom_margin=”50px||||false|false” title_font_size_tablet=”18px” title_font_size_phone=”18px” title_font_size_last_edited=”on|desktop” closed_title_font_size_tablet=”18px” closed_title_font_size_phone=”18px” closed_title_font_size_last_edited=”on|desktop” border_radii=”on|5px|5px|5px|5px” border_color_all=”#EC8118″ box_shadow_style=”preset3″ box_shadow_color=”rgba(0,0,0,0.1)” global_colors_info=”{}”]<\/p>\n UR-31 Crimson<\/p>\n <\/p>\n [\/et_pb_toggle][et_pb_toggle title=”Turquoise blue” open_toggle_text_color=”#000000″ closed_toggle_text_color=”#000000″ icon_color=”#000000″ toggle_icon=”||fa||400″ use_icon_font_size=”on” icon_font_size=”24px” open_icon_color=”#000000″ open_toggle_icon=”||fa||400″ open_use_icon_font_size=”on” open_icon_font_size=”24px” _builder_version=”4.17.4″ _module_preset=”default” title_text_color=”#000000″ title_level=”h4″ title_font=”Merriweather Sans||||||||” title_font_size=”19px” closed_title_font_size=”20px” body_font=”|300|||||||” body_line_height=”1em” background_color=”RGBA(255,255,255,0)” custom_margin=”50px||||false|false” title_font_size_tablet=”18px” title_font_size_phone=”18px” title_font_size_last_edited=”on|desktop” closed_title_font_size_tablet=”18px” closed_title_font_size_phone=”18px” closed_title_font_size_last_edited=”on|desktop” border_radii=”on|5px|5px|5px|5px” border_color_all=”#EC8118″ box_shadow_style=”preset3″ box_shadow_color=”rgba(0,0,0,0.1)” global_colors_info=”{}”]<\/p>\n UB 22-Turquoise Blue<\/p>\n <\/p>\n [\/et_pb_toggle][et_pb_text module_id=”pintarconengobes” _builder_version=”4.18.0″ _module_preset=”a2f533e2-9ee7-4615-bd4f-9d4f36476524″ header_2_text_align=”center” custom_padding=”100px||||false|false” custom_padding_tablet=”70px||||false|false” custom_padding_phone=”70px||||false|false” custom_padding_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n <\/p>\n Using engobe as paint is very common and, as you have been able to deduce, the variety of colors is infinite. In the stores of ceramic materials they have many different preparations of already defined colors, with the convenience of only having to open the product and use it.<\/p>\n However, we may want to experiment with creating our own formulas and mixing variations, which can be fun, part of the creative process and also more economical if we want to prepare a large quantity of product.<\/p>\n For the different colors you can use oxides<\/strong>, in addition to the pigments you have seen in the formulas; for example, for green, chromium oxide, for blue engobe, cobalt oxide, for ocher, copper oxide, for red, iron oxide. In your material store they can advise you on engobes already made and also on the components to make them yourself.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/arteologic.com\/wp-content\/uploads\/2022\/07\/Jarron-pintado-con-engobe.jpg” title_text=”Vase painted with engobe” _builder_version=”4.18.0″ _module_preset=”3d4ce3b5-0616-4fbc-9f2d-15406b2ec27a” width=”60%” width_phone=”90%” custom_margin=”90px||||false|false” custom_margin_tablet=”70px||||false|false” custom_margin_phone=”60px||||false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.18.0″ _module_preset=”b86dacb5-f1df-47c9-ba37-20d791831ff1″ custom_margin=”||80px|||” global_colors_info=”{}”]<\/p>\n Vase painted with engobe (CC Poupou l’quourouce-<\/a>Wikimedia Commons)<\/p>\n [\/et_pb_text][et_pb_divider color=”#000000″ _builder_version=”4.17.4″ _module_preset=”default” custom_margin=”50px||50px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_text _builder_version=”4.19.1″ _module_preset=”966f3771-9267-4f39-8b3b-27a32e080f93″ global_colors_info=”{}”]We will be glad if you liked and found this post useful. Please help us by sharing it on social networks \u2665<\/p>\nENGOBE IN CERAMICS<\/h2>\n
The difference between engobe and barbotine:<\/h3>\n
Difference between engobe and glaze:<\/h3>\n
What is an engobe:<\/h3>\n
ORIGIN AND APPLICATIONS<\/h2>\n
DECORATION WITH ENGOBES<\/h2>\n
HOW TO MAKE ENGOBE: FORMULAS<\/h2>\n
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\n\n
\n Ball clay<\/td>\n 50%<\/td>\n<\/tr>\n \n Ferro Frit 3195<\/td>\n 20%<\/td>\n<\/tr>\n \n Black #6600<\/td>\n 30%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \n\n
\n Ball clay<\/td>\n 30%<\/td>\n<\/tr>\n \n Nepheline Syenite<\/td>\n 20%<\/td>\n<\/tr>\n \n Ferro Frit 3134<\/td>\n 10%<\/td>\n<\/tr>\n \n Wollastonite<\/td>\n 10%<\/td>\n<\/tr>\n \n White #6700<\/td>\n 10%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \n\n
\n Ball clay<\/td>\n 50%<\/td>\n<\/tr>\n \n Ferro Frit 3134<\/td>\n 10%<\/td>\n<\/tr>\n \n Wollastonite<\/td>\n 20%<\/td>\n<\/tr>\n \n Crimson #6006<\/td>\n 20%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \n\n
\n Ball clay<\/td>\n 50%<\/td>\n<\/tr>\n \n Ferro Frit 3134<\/td>\n 20%<\/td>\n<\/tr>\n \n Wollastonite<\/td>\n 10%<\/td>\n<\/tr>\n \n Crimson #6006<\/td>\n 20%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \n\n
\n Ball clay<\/td>\n 50%<\/td>\n<\/tr>\n \n Ferro Frit 3134<\/td>\n 10%<\/td>\n<\/tr>\n \n Wollastonite<\/td>\n 10%<\/td>\n<\/tr>\n \n Zircopax<\/td>\n 10%<\/td>\n<\/tr>\n \n Turquoise #6390<\/td>\n 20%<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n PAINTING WITH ENGOBES<\/h2>\n
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